Humanity has long felt driven to build ever upwards, to conquer the sky. The desire to erect constructions that are visible from afar, that act as symbols of prosperity, progress, development and power, is implicit in the very idea of architecture.

In his working methods, Giambattista Piranesi (Venice, 1720 ? Rome, 1778) was a precursor of the role played by architects and designers today. Now, for the first time, an exhibition at CaixaForum Madrid highlights Piranesi's modernity in an ...

Nearly two hundred years after his death, Francisco de Goya continues to exercise a universal attraction that very few others in the history of art have equalled. Not only is Goya enveloped in the greatness of his art and his genius, he is also ...

This morning Isidro Fainé, president of “la Caixa" and the “la Caixa" Foundation, and Jaume Giró, executive officer of “la Caixa" and deputy general manager of the “la Caixa" Foundation, presided the ceremony to present the football player, Xavi ...

"When I paint a picture, I am not writing a thought". Eugène Delacroix questioned the need for a theme in painting. According to the great French artist, what created emotion on a canvas were its artistic values ? material, light, colour ? rather ...

Throughout the 20th century, geometry was an inseparable companion of avantgarde art. Whether promoting an ideal of purity, silencing anything alien to its shapes or speaking of the world once again, geometry provided formalisations for a broad ...

French painting in the second half of the nineteenth century represents a crossroads in the history of art. This was a period of change and experimentation, even revolution. For many painters, the tradition of the "Grand Manner", inherited from the ...

Under the title Volume!, MACBA, the Museu d’Art Contemporani de Barcelona, presents the first in a series of major exhibitions jointly organised with "la Caixa" Foundation with the purpose of different selections from amongst the 5,500 works in ...

"When I paint a picture, I am not writing a thought". Eugène Delacroix questioned the need for a theme in painting. According to the great French artist, what created emotion on a canvas were its artistic values ? material, light, colour ? rather ...