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Elements of nature such as animals, plants, and landscapes look splendid in Root for Nature.
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Barcelona17.09.25

CaixaForum Barcelona writes an ode to nature to raise awareness about its preservation

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A visitor looks at a work by Mark Rothko at the exhibition "Out of Focus. Another Vision of Art" at CaixaForum Madrid.
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Madrid16.09.25

CaixaForum Madrid surrenders to the poetry of blurring in art, starting with Monet

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  • Exhibition: Li Zhensheng. a Chinese Photographer in the Cultural Revolution
    • Notas de prensa
    Tarragona 20.04.04

    Exhibition: Li Zhensheng. a Chinese Photographer in the Cultural Revolution

    Thirty thousand brown envelopes hidden under the floorboards of an apartment for 35 years, bound by rubber bands and ordered by period, place and type of film. Each contained a negative inside a tiny paper sachet. Written on each envelope, in ...
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  • The Vimcorsa Exhibition Hall in Cordoba hosts the exhibition 1983-1993. A Cross-Sectional Survey of the Contemporary Art Collection of ”la Caixa” Foundation
    • Notas de prensa
    Córdoba 01.04.04

    The Vimcorsa Exhibition Hall in Cordoba hosts the exhibition 1983-1993. A Cross-Sectional Survey of the Contemporary Art Collection of ”la Caixa” Foundation

    The Contemporary Art Collection of "la Caixa" Foundation will be bringing to Cordoba a significant selection of works by 18 artists from Spain and abroad which were created in the ten-year period between 1983 and 1993. Titled 1983-1993. A ...
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  • Exhibition: Documentary ‘Fictions’
    Barcelona 09.03.04

    Exhibition: Documentary ‘Fictions’

    Four stories of four women who wear wigs. One of them is accused of terrorism, and has lived in disguise for 30 years. Another has lost her hair to chemotherapy. The third is a practicing Muslim who wears a wig instead of a kerchief. The fourth is a ...
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  • Exhibition: Political botany. Uses of science, uses of history
    • Notas de prensa
    Barcelona 04.03.04

    Exhibition: Political botany. Uses of science, uses of history

    Botany and conflict; scientific outlook and political agenda; classification and exclusion systems; botanical taxonomy and exploitation of natural resources. The validity of these concepts, which have been coupled since the times of the conquest and ...
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  • Exhibition: Escher. The life of shapes
    • Notas de prensa
    Girona 18.02.04

    Exhibition: Escher. The life of shapes

    A drawing of a hand that draws another hand drawing... In 1948, Maurits Cornelis Escher drew two intertwined hands that represented infinity, the time that never ends. This is one of the many optical illusions invented by this master of impossible ...
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  • Exhibition: Dalí. Mass culture
    • Notas de prensa
    Barcelona 04.02.04

    Exhibition: Dalí. Mass culture

    "Do you suffer from 'periodical' intellectual sadness? Aesthetic depression, fatigue, aversion toward life, manic depression, congenital mediocrity, gelatinous imbecility, diamond kidney stones, impotency or frigidity? Take Dalinal, the artificial ...
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  • Exhibition: From Ape to Man. Five Landmarks in Human Evolution
    30.01.04

    Exhibition: From Ape to Man. Five Landmarks in Human Evolution

    Concern with establishing man's evolutional line has been a constant in our history and new findings often cast doubt on certain aspects of human evolution. What does seem clear though is that Earth's process of hominisation and humanisation began ...
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  • Exhibition: Nikos Navridis
    • Notas de prensa
    Madrid 28.01.04

    Exhibition: Nikos Navridis

    Nikos Navridis (Athens, 1958) is one of the leading exponents of the new generation of Greek artists. He represented his country in the international biennials of São Paulo (1996), Istanbul (1997), Santa Fe in New Mexico (1999) and Venice (2001), ...
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  • ‘Work and place’ or ‘workplace’
    • Notas de prensa
    Barcelona 18.12.03

    ‘Work and place’ or ‘workplace’

    Socially committed, political, outlandish... More and more, today's exhibitions are in want of a thematic vehicle, as if art could not be shown without a leitmotiv. The belief that the work of art can ‘exist' on its own, that is, be exclusively ...
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